MAPPING
‘Several years ago, during a time transition and burnout, I began to map my travel routines as a form of catharsis. The physical plotting of movement and repetition across time and space provided perspective and a pathway for reflective journaling.’
‘The first map I drew tracked the flight paths routinely travelled between the Kimberley and my home in Aotearoa New Zealand. Next, I retraced the bush trips I journeyed as an arts worker travelling with Wandjina Wunggurr peoples. Some bush trips are so significant they remain undrawn. The maps I have chosen to draw are connected to places already accessible to the public.’
BACKTRACK
The Kimberley wilderness is vastly different to my New Zealand homeland. The region’s isolation and idiosyncrasies made sharing experiences outside a small local network challenging.
This body of work uses drawing to reflect, process and share fragments of my story as an arts worker in the West Kimberley. Rendering memories as a cathartic process, rather than drafting an accurate, archival record of an event or moment in time.
